Things get rolling again tomorrow morning. I have three sections of FroshComp on Mondays, Wednesdays, and Fridays, and a Brit Lit survey (what I call “Caedmon to Last Tuesday”) on Tuesdays and Thursdays. The kids have been trickling in for the past few weeks, as Fall season athletes, marching band folks, and the like arrive to condition and train for the coming activities. This year’s freshpeeps arrived at the start of the weekend, and the remaining upperclass students are coming in as well. I even got my obligatory start-of-school haircut yesterday. So let’s survey the landscape.
***
I worked in Customer Service at Sears for the second half of my undergrad career, from late summer 1985 to the summer of 1987. When I talked to friends and family, I sometimes called it the “Blue-haired Old Lady” department, as that was what most of my co-worjers seemed to be. Our responsibilities included taking credit card payments, operating the Ticketmaster machine (which is how I scored front row seats for Miles Davis and Alice Cooper, among others), handling returns/refunds, and helping people who were picking up catalog orders. There was an array of shelves near the counter, and when the customer brought his or her receipt notice, we’d go in back, find the package, and bring it out.
Another aspect of the catalog section involved the catalogs themselves. Skids of the “Big Book” would appear back there, and it fell to us to affix a label to each copy, with the store address, phone number, and other similar info. We had big rolls of the stickers, and we’d peel those off, press them against the lower left corner of the front cover, and add them to a cart. Every so often, we’d take the cart around the store and replenish catalog racks in the various departments, so that folks who didn’t receive the catalog in the mail could bring copies home..
This may have been my favorite part of the job. I’d sit on one stack of catalogs and deal out decals until I had a full load or (more often) when someone would come back and tell me there was a crowd at the counter and they needed my help up there. Fine — it was customer service, after all, and I was a reasonably conscientious worker. Still, labeling and distributing catalogs was a respite from ringing credit card payments, checking balances on a microfiche viewer (they were updated each month), or attempting to appease irritated customers.
(Another of my “paid break” activities involved writing and recording announcements for the store’s PA system. Once the management realized I had a nice speaking voice and some writing ability, it fell to me to go to an office in the back with a copy of the week’s sales ads. I took each week’s points of emphasis and wrote 30-second spots, which I would then record on something like a radio station’s cart machine. Afterwards, every five minutes the Muzak was interrupted by Your Genial Host, extolling the virtues of our shoe department, sporting goods, or Craftsman tools. The strangest part of it all for me was hearing my own voice become part of the constant bibble bibble bibble of the store’s activities. But hey, $4.42 an hour was nearly half an LP, or several paperbacks.)
So yes, I took my regular scheduled breaks — 15 minutes in a back room with a Coke and the Kentucky edition of the Cincinnati Post — but I had other places to absent myself from the front line as well. The catalog stacks and the PA room were, to use a term that took a different meaning in later years, “safe spaces.”
All of which brings me to here, my office, some 40 years later. Mrs. M and I have been talking in recent years about our coming retirements and accompanying relocation to Terpland to join the other two Mrs. Moores. In fact, we made a run up there in late July to visit the girls and check out real estate in an area that seems interesting, but is far more affordable than the DC area where the Spawn and Spouse are.
In recent days, Mrs. M and I have taken a closer look at our finances, and are beginning to suspect that it may be possible to make that move in shorter order than we thought. (Did I put enough qualifiers and weasel words in there? It ain’t a done deal, is what I’m sayin’…) Obviously, the chance to live near the Spawn (and perhaps eventual grandSpawn) is a massive thumb on the scales, but there will be elements to which I’ll have to reconcile myself.
One of those elements is a sort of loss of identity that would accompany walking away from Mondoville and to a new place, from a career to. . . something else. Don’t get me wrong — I’m not a celebrity, even on a local level. But it isn’t uncommon for people to recognize me at the grocery or a coffee shop, or for them to ask me about goings-on here at the college. That sort of thing. (Mrs. M, on the other hand, has taught 20+ classes of first-gradera, and can’t go to Wal-Mart without running into students, their parents, or other Mondovillians who recognize her. She’s a celebrity.)
When we go to The Next Address, that’ll go away. I won’t stop being Dr. (or Prof.) Moore, but the folks around me won’t know it. As I told Mrs. M, it’ll be a change going from Recognizable (if somewhat eccentric) Community Figure to “that old guy holding up the line at the supermarket.” Professor will be a thing I used to be.
And another thing (and here is where all this comes together) is that I won’t have this office. Doubtless I can turn a room at The Next Address into a study or library, but it’ll be part of the house, not the separate-though-nearby space that bears evidence of my identity. I’ll lose one of those safe spaces I talked about earlier.
The thought isn’t unendurable, but it does make me uneasy, this thought of not having a role, or of having to find a new one.
***
Another of my roles, of course, is that of a writer, although (as the blog makes clear) I haven’t done enough of that recently. That one I’ll get to keep, I reckon, and as part of that, I’ll be abandoning my students for a couple of days this week as I make my way to the city of my birth for this year’s Killer Nashville. I’m scheduled to appear on a couple of panels. The first is Saturday afternoon, where we’ll discuss writing short stories; the second takes place on Sunday at 11:30, and we’ll be talking about morality in thrillers and mysteries. If you see me there, give me a holler.
Likewise, I’ll be in Calgary for Bouchercon in late October, where I’ll be on a panel discussing book collecting. While I see myself more as a reader than a collector, I imagine I’ll find some things to say. And again, I’d love to see you there.
***
I suppose I’ve offered sufficient proof of life at this point, so I’ll break things off here. But I’ll try to do it with some music. I was talking to a prospective English major this summer, and he was asking about things he could read to help him get more out of the experience. Being the devotee of Northrop Frye that I am, I told him to deepen his readings of mythologies — Greek, Roman, and Judeo-Christian, all of which are so intricately and inextricably woven through the Western Canon that the absence of that knowledge is like visiting an exhibit of paintings while blindfolded.
Which brings me to “Pride of Man”, one of my favorite songs of the hippie era. It actually predates that era slightly — it was written in 1964 by actor and folkie Hamilton Camp. Camp wrote the song shortly after his initiation into Subud, a set of spiritual practices developed in Indonesia in the 1920s. Practitioners (including the tradition’s founder) suggest that their approach can be used as a supplement, or even a guiding force, to a variety of faiths. In any case, the song appeals to some of the sterner, Calvinistic aspects of my worldview. And besides, it rocks.
The song has been covered by a variety of performers, from Gordon Lightfoot to Gram Parsons, but I’ve always been partial to the version that leads off the eponymous debut from Quicksilver Messenger Service in 1968, so that’s the one with which I’m closing today. Apocalyptic, man.
See you soon!
















